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后殖民视域下也斯小说的“香港书写”

发布时间:2019-01-11 18:42
【摘要】:也斯是香港知名的学者型作家,他作品高产而涉猎广泛,创作涉及小说、诗歌、散文等多个领域。诗人的敏锐触角赋予也斯感性的创作灵感和灵动的诗化语言,博学多思的精神气质又赋予其文字从容洒脱的美学特征。作为两届“香港中文文学双年文学奖”的获得者,也斯的作品记录、呈现香港人以及香港城市的历史变迁和当下面貌,丰富了读者的阅读体验和文化感知。也斯的小说创作一如其笔名,“也”、“斯”,以两个无意的虚词给予读者无限的文化想象空间;亦或是继承其父名的“斯”字,表明一种传承与发展并驾齐驱的重像式文化态度。因此在剖析也斯小说的创作特征时,拘泥于二元对立的理论框架只会陷入自相矛盾、漏洞百出的困境,应以张弛有度的话语模式梳理其文本内容,进而拼接也斯小说不“破”不“立”的文化话语空间。也斯的学者身份使其拥有跨艺术、跨文类、跨国界的学思深广度,更给予他小说包容兼并的创作特征。因此,其小说中包容、多元的文化思考与东西并存的香港书写为后殖民批评提供了丰富的话题空间。本文将从“他者”、“文化地理”、“第三空间”等后殖民话语的理论角度切入,在后殖民视域中解构也斯小说的叙事手法与文本内容,以期在后殖民文化视角下反思也斯笔下的香港文化特征。本文引言部分对也斯的生平与小说创作历程进行梳理,对其小说作品的研究现状做分析整理,并对本文的研究方法与思路作简要介绍;第一章以后殖民话语中的“他者”意象来剖析也斯小说中的具体书写,主要突出他致力于东西对话、宽厚包容的文化立场和诡谲多变的叙事手法;第二章解读也斯小说的都市内外空间,将都市文化符号化,淡化了的“边缘”与“中心”,建构以建筑、粤剧、传媒、色彩、美食为支点的文化地理版图等,解读也斯的后殖民文化思考;第三章承接上两章也斯所建构的后殖民文化思考,并与霍米·巴巴的“第三空间”理论相结合,将研究视野延展到整体的世界华文文学视域之中,在文化空间的迁徙中思考也斯的艺术创作自觉和作为知识分子的文化素养。
[Abstract]:Yas is a famous scholar writer in Hong Kong. His works are prolific and extensive. He writes novels, poems, prose and many other fields. The poet's keen tentacles give him sensual creative inspiration and intelligent poetic language, and the erudite and thoughtful spiritual temperament endows him with the aesthetic features of ease and ease of writing. As the winner of the two "Hong Kong Biennial Chinese Literature Awards", Yates' works record presents the historical changes and present features of the people of Hong Kong and the city of Hong Kong, and enriches the readers' reading experience and cultural perception. Yess's novel creation is like its pseudonym, "also", "Si", with two unintentional function words to give readers unlimited space for cultural imagination; Or inheriting his father's name, the word "Si" shows a cultural attitude of inheritance and development. Therefore, in analyzing the creative characteristics of Yess's novels, the theoretical framework of dualistic opposition will only fall into the dilemma of self-contradiction and inadequacies, and the text content should be combed with Zhang Chi's systematic discourse mode. And then splice the cultural discourse space of Yess's novels. Yath's academic status makes him have a cross-artistic, cross-cultural, cross-national depth of thought, but also gives him the creative characteristics of the inclusive merger of the novel. Therefore, the inclusive, pluralistic cultural thinking and east-west Hong Kong writing in his novels provide rich topic space for postcolonial criticism. From the perspective of "the other", "Cultural Geography", "the third Space" and other post-colonial discourse, this paper attempts to deconstruct the narrative techniques and textual content of Yess's novels in the post-colonial field of view. In order to reflect on the cultural characteristics of Hong Kong in the post-colonial culture perspective. In the preface part of this paper, the author combs the life of Yath and the course of his novel creation, analyzes and arranges the present research situation of his novels, and briefly introduces the research methods and ideas of this paper. In the first chapter, the image of "the other" in the colonial discourse is analyzed to analyze the concrete writing of Yess's novels, which mainly highlights his commitment to the dialogue between the East and the West, his tolerant cultural stand and his fickle narrative techniques. The second chapter interprets the inner and outer space of Yess's novels, symbolizes the urban culture, weakens the "edge" and "center", and constructs a cultural geography with architecture, Cantonese opera, media, color and food as its fulcrum. To interpret Yes' postcolonial culture; The third chapter carries on the postcolonial culture thought constructed in the last two chapters, and combines with Homi Baba's "the third space" theory, and extends the research field to the whole world Chinese literature horizon. In the migration of cultural space, we should think about the consciousness of artistic creation and the cultural accomplishment of intellectuals.
【学位授予单位】:吉林大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.42

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