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意境与情感在当代工笔人物画创作中的运用研究

发布时间:2019-01-10 10:42
【摘要】:中国的绘画艺术是世界文化艺术的重要组成部分之一,它植根于中华民族悠久的文化和璀璨的历史长河当中。“意境与情感”的表达是中国画家创作的原动力,也是中国画的美学思想,它与中国书法、诗词、及戏曲等艺术一样,都是在追求“意境与情感”以期达到一定的高度和境界。在当下,中国工笔人物画因西方文化的不断渗透和影响以及西方绘画技法的引用,逐渐摆脱了衰落的局面,在新时代取得了有目共睹的成就。工笔人物画也因为一大批人物画家在创作的过程中加入了其它绘画的多种技法和西方绘画形式的因素,使人产生了耳目一新的感觉。很多作品更加贴近生活,在反映人们的真实情感和人民现实生活方面有了很大的进展,但也有的画只是一味的炫耀其高超的“制作”手艺,而不注重意境与情感的表达,刻意去求“似”,只注重了表面的描摹客观物象,进而在画面中事无巨细的描绘,这往往就会导致作品比较呆板,像照片,整幅画毫无“意境与情感”可言。同时也把握不了中国画传统的精髓——“意境与情感”,完全背离了中国传统工笔人物画的审美取向。在本文中,我综合了大家关于此论题的观点,同时也结合自己的绘画毕业创作经验,尝试着系统的总结“工笔人物画中意境与情感的体现”。 本文关于“意境与情感”在工笔人物画创作中的研究,主要包含三个方面:一是意境与情感的概念,从分析在古今工笔人物画中的表现,归纳总结“意境与情感”转化为视觉语言的要素;二是结合自己对毕业创作的过程中“意境与情感”的表现,从深入生活进行写生、采风,选取自然生活状态的小题材,到通过构思、构图,用画笔抒发我最真实的情感,一笔笔、一层层地精心描绘出作品。以理论和实践相结合来贯穿我的创作全过程;三是归纳和总结意境与情感在中国人物画创作中的现状及发展方向的思考。
[Abstract]:Chinese painting art is one of the important parts of the world culture and art. It is rooted in the long history of the Chinese nation. The expression of "artistic conception and emotion" is the motive force of Chinese painters' creation and the aesthetic thought of Chinese painting. Like Chinese calligraphy, poetry and opera, it pursues "artistic conception and emotion" in order to reach a certain height and realm. At present, due to the continuous infiltration and influence of Western culture and the introduction of Western painting techniques, Chinese meticulous figure painting gradually gets rid of the declining situation and has made obvious achievements in the new era. Meticulous figure painting is also because a large number of character painters in the process of creating a variety of other painting techniques and Western painting form factors, people have a refreshing feeling. Many works are closer to life, and have made great progress in reflecting people's real feelings and people's real life. But some paintings are just showing off their superb "production" skills without paying attention to artistic conception and emotional expression. Painstakingly seeking "likeness", only paying attention to the surface of the objective object, and then in the picture of a detailed description, this will often lead to a more rigid work, such as photos, the whole picture has no "mood and emotion" to speak of. At the same time, it can not grasp the essence of traditional Chinese painting-"mood and emotion", which completely deviates from the aesthetic orientation of traditional Chinese figure painting. In this article, I have synthesized everybody's viewpoint about this topic, at the same time combine own painting graduation creation experience, try to summarize systematically "the artistic conception and the emotion embodiment in the fine brushwork figure painting". The research of "mood and emotion" in the creation of meticulous figure painting mainly includes three aspects: first, the concept of artistic conception and emotion, from the analysis of the performance in the ancient and modern meticulous figure painting, Induces and summarizes the elements of the transformation of "artistic conception and emotion" into visual language; The second is to combine their own expression of "artistic conception and emotion" in the process of graduation and creation, from deep life sketching, collecting wind, selecting small subjects of natural life state, to expressing my truest emotion through conception, composition, and painting brush. A brushstroke, layer by layer of meticulous depiction of the work. Through the whole process of my creation with the combination of theory and practice, the third is to summarize the present situation and development direction of artistic conception and emotion in the creation of Chinese figure painting.
【学位授予单位】:湖南师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

【参考文献】

相关期刊论文 前1条

1 魏东;;中国工笔画中的意象传达[J];美术观察;2009年10期



本文编号:2406216


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