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当代油画创作中对图像的应用

发布时间:2019-07-06 06:45
【摘要】:当今是一个高科技发展的时代,文化,传媒数码影像和网络技术的大力发展,图片、影像、杂志、广告、电影,电视等共同建构了一个庞大的图像世界,图像经验成为都市人们工作,学习和生活不可缺少的组成部分。图像的生产与消费、传播与接受不仅改变了人们的视觉与观看经验,也改变了人与自然、人与现实的关系。消费文化所制造的图像充斥着我们的生活是当代文化的一个显著特征,就绘画与图像的关系,架上绘画正遭遇着被稀释和被边缘化的境遇,中国真面临这图像转向的问题。由于摄影影像等记录现实的技术得以发展,以及对一些视觉符号图像的利用,当代艺术中的图像化倾向显得特别明显。这种图像化倾向一是表现在摄影图像的大量使用上,二是体现在对传统图像资源的挪用上,如传统文化符号、民间美术图式及“文革”海报图像等。艺术家可以把既得的现成图像进行二次处理,得到满意的效果后运用到艺术创作中来。所以这也给当代绘画艺术带来更大的挑战,也带来了新的发展空间。 本论文通过对其艺术状况和特点与一般形式进行整合与梳理,在当代油画创作中对图像的应用问题上进行论述。首先,大致陈述了时代的变迁对当代油画创作的影响并对中国当代油画的多元化发展和大众传媒对油画创作的影响进行分析,从而更好的说明时代对油画发展所产生的影响。其次,介绍了当代油画创作中的几种创作倾向,分别从照片转译、拼贴和并置、戏拟和反讽、图像的异质化及卡通化并对其进行展开说明和分析。然后,,从德国著名的照相写实画家李希特的创作和艺术观点来进一步说明绘画的图像意义。此外从组织构图,细节表达和情感运用上进一步说明图像在绘画中的应用。最后,对泛图像时代下绘画创作值得关注的问题进行列举说明。 因此,通过对公共图像对架上艺术的影响以及当下创作的发展方向进行梳理和阐释,分析了图像与油画艺术的关系问题,以便更好的利用图像资源创作出新的形式,不断的拓展其表现的可能性,使其与摄影,影像等媒介共处共生,给我们带来一场新的视觉盛宴。通过对当代油画创作中对图像的应用的分析,对论文的学术进展上有着重要的意义。
文内图片:《父亲》
图片说明:《父亲》
[Abstract]:Nowadays, it is an era of high-tech development, with the great development of culture, media digital image and network technology, pictures, images, magazines, advertisements, movies, television and so on have jointly constructed a huge image world. Image experience has become an indispensable part of urban people's work, study and life. The production and consumption, dissemination and acceptance of images not only change people's visual and viewing experience, but also change the relationship between man and nature, man and reality. The images created by consumer culture are full of our life is a remarkable feature of contemporary culture. As far as the relationship between painting and images is concerned, easel painting is experiencing the situation of dilution and marginalization. China is really facing the problem of image turning. Due to the development of photography and other techniques for recording reality, as well as the use of some visual symbolic images, the tendency of visualization in contemporary art is particularly obvious. This kind of image tendency is manifested in the extensive use of photographic images and the misappropriation of traditional image resources, such as traditional cultural symbols, folk art schemata and poster images of the Cultural Revolution. Artists can process the existing ready-made images twice and get satisfactory results and apply them to artistic creation. Therefore, this also brings greater challenges to contemporary painting art, but also brings new development space. Through the integration and combing of its artistic situation and characteristics and general forms, this paper discusses the application of images in contemporary oil painting creation. First of all, it roughly states the influence of the changes of the times on the contemporary oil painting creation, and analyzes the diversified development of Chinese contemporary oil painting and the influence of the mass media on the oil painting creation, so as to better explain the influence of the times on the development of oil painting. Secondly, it introduces several creative tendencies in contemporary oil painting creation, respectively, from photo translation, collage and juxtaposition, drama and irony, image heterogeneity and cartoonization, and carries on the explanation and analysis to it. Then, the image significance of painting is further explained from the creation and artistic point of view of the famous photorealistic painter in Germany. In addition, the application of image in painting is further explained from the aspects of organization composition, detail expression and emotional application. Finally, the author enumerates the problems that should be paid attention to in painting creation in the pan-image era. Therefore, by combing and explaining the influence of public images on shelf art and the development direction of current creation, this paper analyzes the relationship between image and oil painting art, in order to make better use of image resources to create new forms, constantly expand the possibility of its expression, make it coexist with photography, image and other media, and bring us a new visual feast. Through the analysis of the application of images in contemporary oil painting creation, it is of great significance to the academic progress of the paper.
【学位授予单位】:沈阳大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J213

【参考文献】

相关期刊论文 前2条

1 易英;图像学的模式[J];美术研究;2003年04期

2 钱中文;文学理论现代性问题[J];文学评论;1999年02期



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