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辽南北派影调戏传统七字赋行腔板式变化逻辑刍议

发布时间:2019-01-12 13:29  文章来源:笔耕文化传播
【摘要】:在辽南影调戏唱腔中,分为南北两派,北派以板腔体为主,南派则以曲牌体为主。因北派唱腔长期受关内皮影唱腔的影响较多,因而较南派唱腔在行腔变化和逻辑上更为多样和严密,尤其作为行腔变化基础的七字赋唱腔结构,除了其本身有男女腔之别及其自身的,另外通过板式和结构的变化,衍生出千变万化的七字赋的变体——"数句"~([2])结构。文章旨在通过分析实际唱腔实例来探析七字赋唱腔结构行腔的逻辑和一般规律。
[Abstract]:In southern Liaoning, there are two groups: the north and the south, and the songmai and the south, respectively. Because the Northern Phantom has long been influenced by Guannei shadow singing, it is more varied and more strict in logic and variety than that of the Southern, especially the seven-character singing structure, which is the basis for the change of the line cavity. In addition to its own male and female cavities and its own, in addition to the plate and the structure of the change, derived from the ever-changing variety of seven characters-"several sentences" ~ ([2]) structure. This paper aims to analyze the logic and general law of the seven-character singing structure by analyzing the actual singing examples.
【作者单位】: 大连大学音乐学院;
【分类号】:J617.5

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