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歌剧《骆驼祥子》四重唱分析

发布时间:2019-06-14 08:54
【摘要】:重唱是歌剧中重要的表现手段,常出现在叙事和强烈矛盾冲突的部分,是在同一时间对不同人物的性格及心理活动进行深入的描绘与刻画,是音乐性与戏剧性相结合的重要创作手法。笔者参与了国家大剧院原创歌剧《骆驼祥子》从钢琴作业到戏剧排练的完整过程,对整部歌剧有着较为深入的了解和体会。在本文中对于歌剧《骆驼祥子》四重唱段落的音乐的创作手法与人物之间的关系做了详尽细致的分析,并依据音乐与戏剧的发展变化对此段进行了段落划分,这样合理的段落划分对演员的音乐表现与戏剧调度都是有着积极的意义。
[Abstract]:Duet is an important means of expression in opera, which often appears in the part of narration and strong contradiction and conflict. It is an in-depth description and description of the personality and psychological activities of different characters at the same time, and it is an important creative technique combining musicality and drama. The author participated in the complete process of the original opera camel Xiangzi from piano homework to drama rehearsal in the National Grand Theater, and had a deep understanding and experience of the whole opera. In this paper, the relationship between the creative techniques of the opera camel Xiangzi quadruple and the characters is analyzed in detail, and the paragraph is divided according to the development and change of music and drama. Such a reasonable paragraph division is of positive significance to the actors' music performance and drama scheduling.
【学位授予单位】:中央音乐学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J617.2

【参考文献】

相关重要报纸文章 前1条

1 张珊珊;;唱的比说的好[N];人民日报;2015年

相关硕士学位论文 前2条

1 郝林冲;歌剧《骆驼祥子》音乐特征和人物形象塑造研究[D];河南大学;2016年

2 张冉;论歌剧《费加罗的婚礼》中重唱的艺术特征[D];首都师范大学;2008年



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