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马一浮六艺论背景中的朱陆异同

发布时间:2019-06-30 23:09
【摘要】:关于马一浮先生,最受学界关注的恐怕是其六艺论,其中"六艺统摄一切学术"表述了马先生对六艺的理解和六艺与古今中外一切学术关系的判断,而"六艺统于一心"又说明了其六艺论的根据,也说明了其"六艺论"是宋明儒学的进一步展开。但此作为六艺根据的"一心"之论说究竟是归宗朱子还是标榜象山,学者们莫衷一是。本文拟以马一浮对"朱陆异同"的梳理为切入点,考察其学术宗归,并对其六艺论的建构方法乃至问题做初步的讨论。
[Abstract]:With regard to Mr. Ma Yifu, I am afraid that the academic circles pay the most attention to his theory of six arts, in which "six arts dominates all academic studies" expresses Mr. Ma's understanding of six arts and his judgment on all academic relations between ancient and modern Chinese and foreign countries, while "six arts are United as one mind" explains the basis of his theory of six arts, and also shows that his "six arts theory" is the further development of Confucianism in Song and Ming dynasties. However, scholars do not agree on whether this theory of "one mind", which is the basis of six arts, belongs to Zhu Zi or flaunt Xiangshan. This paper intends to make a preliminary discussion on the construction method and even problems of Ma Yifu's theory of six arts, taking Ma Yifu's combing of Zhu Lu Yi Tong as the starting point, investigating his academic return, and making a preliminary discussion on the construction method and even the problems of his six art theory.
【作者单位】: 中山大学哲学系;
【分类号】:B261

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1 马一浮;;马一浮处方[J];书法赏评;2009年02期

2 姚yN;施敏发;;“通”往未来之路——马一浮文化观及其方法简析[J];赤峰学院学报(汉文哲学社会科学版);2009年12期

3 宫云维;;马一浮主讲浙江大学“国学讲座”始末[J];齐鲁学刊;2010年01期

4 虞,

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